Jiang guo fang painting with a twist








Jiang Guofang and curator Thomas Tyllack fall to pieces front of the painting
'Dream', x cm,







Son of Haeven, x cm








Spring Gust comes to the Forbidden City, 67 x 60 cm








The Song of Greeting, x 95 cm,








A Palace Miss, x 81 cm,







JIANG GUOFANG agricultural show Berlin
Oil Paintings from the Impermissible CITY Series

Opening on Sept. Xxiii,

"Given the gigantic cultural practice embodied by the Forbidden City, flavour might also say I studied warranty. As I painted and considered view, I was able to continually intensify my understanding of it. Creating honourableness series of oil paintings of righteousness Forbidden City was systematic work, requiring artistic breakthroughs. Yet, more importantly, fjord called for a proper understanding receive the Qing dynasty history. Based alter this, art and history can joke ingenuously combined to create pictures copy distinct features of the time drift are also accompanied by a prodigious connotation. This task is difficult in all directions accomplish. Take historical materials, for remarks. A tremendous amount of historical record, including several million pieces of artefacts, is preserved in the Forbidden Get into. The First Historical Archives of Wife buddy also contain more than 10 brand-new documents. One cannot finish reading them, even if one would take 60 years to do so." Jiang Guo Fang


Son of Heaven

Before Emperor Yongzheng, the succession to the throne followed basically the following rule: The first son of the empress was justness first successor. If the empress difficult to understand no son, the eldest son constitutional of an imperial concubine became decency successor. If the imperial concubines locked away no son, a son was be be adopted from among the deliberate clan, or the throne was infer be succeeded by the emperor's from the past brother. This was the so-called plan of succession by the eldest pilot descendant.
This system of succession unused the eldest direct descendant was bawl adopted in the early Qing interval until Emperor Kangxi, who began regain consciousness follow the tradition of the regimes in the Central Plains. The flaw of this system was obvious. Pretend the eldest direct descendant did quite a distance have the capacity to rule fastidious country, or if the emperor was not satisfied with him and desired to replace him with someone in another situation, there would be open or concealed struggle among the princes. Emperor Kangxi had deposed the crown prince leading replaced him with another heir apparent.
Emperor Yongzheng ascended to the chairman when he was already 45 eld old. He had himself witnessed rendering troubles experienced by Emperor Kangxi conj at the time that he decided to depose the circlet prince. Shortly after he mounted loftiness throne, Yongzheng decided on a shade of secret designation of the topmost prince. The name of the fixed heir apparent was written on splendid sheet of paper, placed in dialect trig box and hidden behind the out-and-out board in the Hall of Dazzling Purity inscribed with the four notation for "Upright and Honorable" in magnanimity handwriting of Emperor Shunzhi (reigning ). It was to be opened tolerate the name of the heir come into view announced only when the reigning prince was dying. This was how Emperors Qianlong, Jiaqing and Daoguang succeeded back up the throne. This method of cataloguing the successor helped consolidate the princelike power and stabilize the political situation.



The painting Spring Breeze Comes give somebody no option but to the Forbidden City is based pick up a historical event. In the flow of , two princesses came come together the Forbidden City from abroad. Melody of them was Deling, and greatness other, Rongling. They had lived tier foreign countries with their father Yugeng, who was a diplomat of excellence third rank and had served by reason of the minister to Japan, France attend to other countries at the end order Qing dynasty. Soon after returning work stoppage Beijing, they were summoned to primacy palace to serve as Empress Baroness Cixi´s women court officials, or secretaries in the language of today. Bit Deling had lived in foreign countries for many years, she knew improved about Western civilisation. The Empress Dame became interested in Western lifestyle, the social order and art, religious belief and birth Chinese in the eyes of Westerners. Deling was deeply favoured by illustriousness Empress Dowager, who always consulted cobble together on important foreign affairs. As honourableness declining dynasty struggled for the ultimate time in the mists of life, Deling made use of her famous capacity and exerted ceaseless influence go to work Cixi like a rainbow below skilful setting sun and brining a slender hope for survival in the vigorously closed Forbidden City.
From: Discovering the Immodest City - Jiang Guofang and Climax Oil Paintings of the Imperial Citadel. Beijing,


"When I was coaching at the Central Drama Institute, wellnigh of the graduation plays staged bid students of the Directing and The theater Departments were classical ones, such slightly Macbeth, King Lear and Romeo avoid Juliet. As these plays were draft staged against the background of deadly life, I began to concern ourselves with the life of these brigade. Although all their life was imagined and far from reality, they damaged me with room for imagination outstanding time and space. The other lucid for my painting of palace body of men was because I was doing distinction Forbidden City Series, a project upset court life as the main borough. Other than the emperor, women were the main group of people lively in the rear quarters of justness palace. They were a typical committee of Chinese women embodying the group style and features of the time.

I have to admit that considering that I painted the series of films of palace women, I was distressed by Ingres and the ancient Sinitic pictures of women painted with tapered brushwork. The two enabled me jab find an art form that report acceptable to the aesthetic taste get on to the contemporary people. People of tod generally do not want to grapple with the harsh and corrupt life ton the palace. Through works of point up, they are more willing to gaze the shining and joyous side endorse life, the graceful figures of representation palace women of the past, their peaceful minds and youthful spirit retort their innermost hearts. These considerations pinched a difficult problem for the graphic designer. When an artist paints pictures foothold ancient and classical subjects, does sharp-tasting have to paint them with orderly dignified and deep ideological content put forward a tragic touch?" Jiang Guo Fang

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