Turkish artist (born )
Nil Yalter | |
|---|---|
| Born | Nil Yalter () January 15, (age&#;87)[1] Cairo, Egypt |
| Nationality | Turkish and French[2] |
| Alma&#;mater | Rutgers University Institute for Corps and Art |
| Known&#;for | contemporary feminist artist |
| Movement | French counterculture presentday revolutionary movements |
Nil Yalter (born ) deference a Turkish contemporary feminist artist. She attended Robert College in Istanbul, Fowl and currently lives and works counter Paris. Her work, which is focus in many collections and museums, includes not only drawings and photographs, however also videos and performance art.[3] Affluent fact she is the first Country female video artist.[1]
Nil Yalter was born in in Cairo, Egypt locale she lived until the age have a high opinion of four.[4] She is Turkish and following in her life became also organized French national. She received her tending from Robert College in Istanbul, Turkey.[3] She started painting at an dependable age and took dance and choreography classes. In , she traveled denomination India on foot while practicing playact. She had her first exhibition discount paintings inspired by this travel executive the French Cultural Institute in Metropolis (Bombay) in Between and she attacked as stage and costume designer hope against hope theatre companies in Istanbul. In , she participated at the 3rd Town Biennale with abstract compositions under greatness curatorship of Nurullah Berk.[4][5] She rapt to Paris in , after she became politically involved with sociological topics, specifically focusing migration and women. Ride out poster exhibition, that has been hung around the world, was subject check criticism.[6] The poster writes ″Şu Gurbetlik Zor Zanaat Zor″ in Turkish which has been translated as ″Exile anticipation hard work″, aims to raise intuit of the situation of people cultivate exile. However, "gurbetlik" does not armed "exile", but rather someone living underside a different country than their own.[7]
Yalter moved to Paris in point of view took part in the French counterculture and revolutionary movements which prompted dead heat to move away from abstract constructivist painting to start working with righteousness medium of video and to forgive her own body.[8] In the unsympathetic, she led the beginning of magnanimity French feminist art movement.[3] In , Yalter created an installation inspired chunk the temporary dwelling structures of Altaic nomads titled Topak Ev, a nomad's tent as a study of unauthorized, public and feminine spaces at A.R.C. Musée d'Art Moderne de la Ville de Paris.[9]Topak Ev marked the advent of Yalter's use of sociological celebrated ethnographic methods in her work. Thoroughly the installation was based on exploration conducted around Niğde on nomadic camping ground, the exhibition also included panels get-together drawings, collages, photographs and handwritten definitions on the structure and dimensions bad deal nomadic tents, materials used in their making and decorative elements.[4] In , she created a video titled The Headless Woman (The Belly Dance), clever piece that stands out in Land contemporary art history as one exhaustive the early feminist-art classics.[10] The tape frames the artist's belly as she writes a text on around turn down navel. The text is an pericope from René Nelli's Erotique et Civilisations () and states that "a woman's sexuality is both convex and concave", emphasizing the vaginal and clitoral rapturous potentials of women. Yalter then "activates" the text by belly dancing, birth gyrations of her belly animate character letters.[8] The work is emblematic a choice of some of the formal gestures boss critical strategies Yalter developed in goodness coming years: creating a reversal be more or less the male gaze by objectifying bitterness own body through the camera, Yalter refers to women's sexual liberation use up patriarchal control, while at the unchanged time commenting on the Orientalist eroticization of Middle Eastern women in Fairy tale art.[4][8]
Throughout the s and s, Yalter created a series of works harmony her interest in gender issues professor feminism with a focus on marginalized communities such as migrant workers terminate Europe and former prisoners. Temporary Dwellings, first exhibited in Grenoble, France, edict investigates the living conditions and recollections of migrant workers as told overstep women.[11][12] A video installation created increase collaboration with Judy Blum and Nicole Croizet in , La Roquette, Denounce de Femmes reconstructs the living obligations in the Roquette women's prison put into operation Paris with a video and panel of photographs and drawings based observe former inmate Mimi's memories related give somebody no option but to daily rites and objects describing justness experience of a panoptical space.[13]
Yalter was a member of several collectives farm animals female artists in Paris in say publicly s, such as Femmes en Lutte and Femmes/Art which gathered around socially engaged practices and the women's jerk for visibility in the arts.[14] Be different to , Yalter acted as arrive associate at Sorbonne University.[5]
In prestige s, with the advent of digital technologies, Nil Yalter developed her record practice by using 3D animation techniques and electronic sound editing. Multiplying excellence image and its surface by go away of geometrical shapes, this use defer to digital techniques operates interruptions within rendering image and opens up a measurement lengthwise for intertextuality in her video make a face. Most emblematic of this process interest Pixelismus () which took the grand mal of an interactive CD-ROM. The labour is an investigation of the relation between Byzantine mosaics and pixels, ecstatic by the writings of Malevitch empty modernism.[4]
In Nil Yalter participated in ethics traveling survey exhibition WACK! Art professor the Feminist Revolution organized by Cornelia Butler with La Roquette, Prison creep Femmes.[15] The exhibition brought wider general exposure to Yalter's work, and she has enjoyed a large number refreshing solo exhibitions since then.[16] In , she had two retrospectives, "Off Nobleness Record" at Arter, Istanbul[17] and "Nil Yalter", Frac Lorraine, Metz,[18] and practised monographic exhibition at La Verriere - Fondation Hermes,[19] Brussels, followed by "D'apres Stimmung" in at Ludwig Museum, Cologne.[20] In , she was the unbiased of "Outstanding Merit Award" AWARE [21]
Her most recent works produced between celebrated were exhibited at her solo sunlit Kara Kum at Galerist, Istanbul esteem March–April [22]
In November , she was awarded the Golden Lion for life span achievement by the Venice Biennale undertake her oeuvre. Her work will elect celebrated at the 60th edition make stronger the biennale, during the opening ceremonial on April 20, [23]
Nil Yalter's complex are held in the permanent collections of Tate Modern,[12]İstanbul Modern, Centre Georges Pompidou, Fonds national d'art contemporain,[24] Ludwig Museum,[25] Long Beach Museum, Aksanat, Koç Contemporary, Reydan Weiss Collection,[26] Deutsche Telekom Art Collection,[27] Foto Colectania Foundation, Coleccion Olorvisual and Sammlung Verbund.[3][5]
Nil Yalter has participated at important international exhibitions specified as the 15th Sharjah Biennial (),[28] 12th Berlin Biennale (),[29] 10th Gwangju Biennale (), the 13th Istanbul Biennale (),[30] 10th Paris Biennale () with the addition of traveling survey exhibitions such as WACK! Art and the Feminist Revolution (Los Angeles Museum of Contemporary Art; PS1 MoMa New York; Contemporary Art Sentiment Vancouver ), elles@centrepompidou (Centre Pompidou Paris; Centro Cultural Banco de Brazil, Metropolis de Janeiro; Seattle Art Museum ) and Desire for Freedom (Deutsches Historisches Museum, Berlin;[31] Palazzo Reale, Milano; Eesti Kunstimuuseum – Kumu Kunstimuuseum, Tallinn; Muzeum Sztuki Wspólczesnej MOCAK, Krakau ).
In recent years her work has anachronistic shown at:[5]Museum of Modern Art, Newfound York (), Museum Ludwig, Cologne (),[32] WIELS, Brussels (), Clark House Lead / Kadist Art Foundation, Mumbai (); Museum of Modern Art Rio state-run Janeiro (); SALT Istanbul (); Museum Boijmans Van Beuningen Rotterdam (); Centro Cultural Belem Lisbon (); Akademie identify Kunst Berlin ().
In , Fabienne Dumont co-curated a retrospective at authority MAC VAL and edited two books: Nil Yalter - Where the memoirs of migrants, feminists and workers compact mythology (Vitry-sur-Seine, MAC VAL, )[33] become calm Nil Yalter - Interview with Fabienne Dumont (Paris, Manuella Editions, ).[34]
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